HELENA PÁLSSON
Naked people in windows
i love a naked person in a window with the lights on
their wobbly bits wobbling away
who forgets
or doesn’t care
that there aren’t any curtains and that
windows can be seen through
by people like me
on the street below on rue auguste barbier
with my notebook and empty chair
alone, in some kind of a meditation at a bar
i look up and see a naked woman
inside her warmly lit rectangle
with french doors and everything
she moves swiftly around
something is found – a fresh pair of knickers?
she gives her bush a pat
feeling its bounce
her bedroom is a stage on which the drama of her life plays out
and tonight i am the audience
Are you going on a date? Who with?
i ask her telepathically
i photograph myself with my 0.00% beer
i text this to my best friend miriam who lives
3,866 miles away in Pittsburgh, Pennsylvania
i have learned that people text photos of themselves now
so i do that too
i have found the hipster streets of Paris, I text
they are in the 20th
i write in my notebook
i am starting to think that romantic love does not exist
the waiters at the bar look very cool
they have moustaches and oversized white tees and levi jeans (probably 501s)
they are very forgetful
this world is so serious and expensive
i write
my notebook holds it all
i am worried that everything is a transaction
even love
seeing a naked person makes me smile, reminds me that
deep down i am a silly billy
not just an adult who worries about the fate of humanity
i feel more connected to a naked person alone in their room
searching for something
pinching a roll of fat
than i do to all the clothed people around me talking
talking talking
i love the unexpectedness with which
a truck driver with muscly arms and a beard and
perfectly-formed, cone-shaped breasts
suddenly appears
illuminated by the blue light of his truck on a lay-by on the A19 in Scotland
this was a long time ago when i still liked people
you’re lonely because you keep bloody moving all over the shop
i get a flashback of my online counsellor
is that really why i’m lonely?
i ask the moon
i love the surprise of the sight of the man, totally starkers
in his ground floor bedroom with its 6ft window
that faces onto the bustling rue eduardo coelho in lisboa
a beergut asserting its right to be
a right that i have not yet claimed
not really
that man should be famous by now
go there
maybe you will see him
there you are, my love I whisper as
i skip down the slippery, cobbled street
with nowhere to be and no one to meet
no longer afraid of falling over
a fate that happens to visitors with inappropriate footwear
there is a bounce in my step now that i have seen a naked person
maybe feelings will develop or maybe we’ll just be friends
the words of my new lover echo in my head
i do not like this combination of words
i write this sentence in my notebook and draw a picture of
a creature putting needles into its ears
my good luck totem is a human being in their birthday suit
when i spot one
i know that
life will get better soon,
probably
i was once a naked person in a window
on weser straße, berlin
at the quiet end
my silouette moved from bed to table to chair
i cupped a breast to feel its weight as i changed a song
there was another naked person with me then
pouring two mugs of prosecco
i didn’t care if some stranger saw me
i knew who i was
what i was supposed to be doing
i thought that there was something that i was supposed to be doing
i hope that i was a naked person in a window
who made someone stop and smile
someone alone, meditating at a bar
searching for something that will end their search
something new, anything, please
just something different
a vision
of a naked human in a window with the lights on
holding up a sign that says
keep going
life will get better soon

Helena Pálsson is of Icelandic-Spanish heritage and British born. She is a new writer and lives in Edinburgh. Berlin is her second home.

